About Me
My job as your photographer is to do more than just put a face to the name. I bring experience, professionalism, confidence, and a relaxed persona that produces photographs that instill a sense of trust and confidence in a potential client or customer. When you don’t do that, you will fail to get everything you can out of a brochure, website, or press release. The picture is critical.
They say that a picture is worth a thousand words, but you rarely hear about the reactions to a poor quality photograph. Professional photography when presenting yourself or company to the public is a necessity.
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Using the Nikon Creative Lighting System
This photograph was taken using a Nikon D-300, the Nikkor 28-70 f2.8 and 2 SB800s. One SB800 was placed high picture right behind Emily the other was hand held slightly high picture left above her head. Although I have the equipment to mount the flashes to either an umbrella or softbox, this session was done with only the Nikon defusser on one of the strobes.
I am becoming a real fan of the Nikon Creative Lighting System (CLS) and the ability to control the SB-800s using the Commander mode on the D300. I’ve now used them in studio sessions as fill or hair lights, outdoors from as far as 30 feet away or the sole source of light as in this photograph.
The two cautions when using the system is to remember to have the sensor facing toward the camera and don’t step to far in front of the flashes. I spent nearly 10 minutes on one outdoor shoot trying to figure out why the flash wouldn’t fire, gave up and realized, the next day, that I had the IR receiver facing away from the camera.
CLS is a great tool, take the time to learn it.
Read about us being hassled by the Park Rangers in Washington, DC during this shoot.
Also see Damien Franco’s expansion of my photo tip about Seeing the Shadows over at www.yourphototips.com.
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