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About Me
My job as your photographer is to do more than just put a face to the name. I bring experience, professionalism, confidence, and a relaxed persona that produces photographs that instill a sense of trust and confidence in a potential client or customer. When you don’t do that, you will fail to get everything you can out of a brochure, website, or press release. The picture is critical.
They say that a picture is worth a thousand words, but you rarely hear about the reactions to a poor quality photograph. Professional photography when presenting yourself or company to the public is a necessity.
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Author Archives: Ray
Outdoor Speedlight use in portraiture
I always have my speedlights when doing an outdoor portrait session. I know the basics of using natural light with or without reflectors but also know what I want. I don’t always use the speedlights, but I always have them.
When I do use them I try to either use the natural light to compliment the flash or the flash to compliment the natural light.
An example of each:
flash to compliment the natural light
natural light to compliment the flash
Posted in Just a quick thought, My Photo; My Comment., People
Tagged Camera Gear, CLS, Compliment, diffuser, Face Shots, female, flash, flash photography, Lifestyle, Light And Shadow, natural light, Outdoor Portrait, Photo, portrait, Portrait Session, Portraiture, Raymond K. Dauphinais, Reflector, Reflectors, speedlight, strobist, ttl
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Using Nikon’s Creative Lighting System (CLS) in daylight
[caption id="" align="aligncenter" width="500" caption="SB900 using the sun as a hairlight."]
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I have heard and get asked a lot of questions about Nikon’s CLS’ ability or inability to function in bright daytime conditions. In my experience it really have not been an issue. I pay attention to the speedlight’s position and its sensor location relative to my camera and SU800.
Today’s metering technology is a great asset so I normally let it take the first ‘shot’ at what it sees in a scene. While I have studio lights and a Vagabond II, there is little I haven’t been able to do with my SBs. The above shot was taken with a single SB900.
[caption id="" align="alignleft" width="200" caption=" SB900 powered by SD8A on 36 inch JTL stand with 24 inch Westscott umbrella. I use this rig when I travel because it fits in my suitcase."]
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It was very sunny in California the day I shot Candice – notice the shadow on the lower left of the umbrella even though the speedlight fired for this behind the scene picture.
In the photograph of Candice above I metered for the shaded portion of her face and let Nikon TTL do the rest.
In the event it does not produce the result I want I adjust the stop (by 1/3 steps) on the speedlight.
[caption id="" align="alignright" width="226" caption="Controlled on camera with the SU-800. Both speedlights were set to TTL remote."]
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Distance is another concern CLS nay-sayers bring up.
In this photograph Jason is holding a 42 inch Wescott umbrella with a SB-800 tucked up in the open ribs point towarded the camera to get the light reflected back to his face.
Behind him is a SB-900 shooting into another 42 inch Wescott umbrella. That c-stand is a good 50 feet away and up the hill about 10-12 feet above Jason’s head.
Line of sight is important – so just pay attention. But I have used the SB8 & 900s behind glass, reflected the signal off of windows, mirrors, cars just about any reflective surface. I have also ‘staged’ the lights to ‘see’ another but not the SU800.
Think of the IR signal like a billiard ball.
I also use the Nikon CLS to fill on cloudy daylight sessions.
While in Phoenix last week I did the entire shoot with these tools:
[caption id="" align="aligncenter" width="338" caption="Stand, Speedlight, umbrella and a model: the only tools you need."]
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The result:
[caption id="" align="aligncenter" width="270" caption="Single SB900 camera left - TTL triggered with SU800. "]
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The only time I have trouble with the system is when I position myself on the wrong side of the speedlight’s optical sensor or move in front of the flash. I use a ballhead so I can quickly rotate the speedlight into the correct position.
Posted in Just a quick thought, Lighting tests, Things
Tagged Amp, background, Ballhead, beautiful, beauty, beginner, Blog, business, camera, Candice, Cat, Class Announcement, CLS, Controlled, correspondent, creative, Creative Lighting, Creative Lighting System, Creativity, digital, dslr, equipment, face, fashion, Feet, flash, Flickr, focus, Fun, hair, hairlight, hand, Head, hobby, Hoot, human, Image, Ink, journalist, JTL, Lc, lens, Light, lighting, Lighting System, Line Of Sight, Lot, Metering Technology, model, nikon, occupation, one, Pace, paparazzi, Pay Attention, People, Phoenix, Photo, Photograph, Photographer, photographing, Photography, portrait, Portraits, pro, professional, Reflective Surface, Ribs, Rig, Rkd, RKD Photography, Sayers, Sb, sb-800, SB-900, Sb8, SB900, Sbs, scene, Sensor Location, Sessions, Shadow, shoot, shot, speedlight, Stan, stand, strobist, studio, studio lights, Suitcase, sun, Sunny Day, Sunny In California, Target, technology, Test, Tool, traditional, ttl, Umbrella, Vagabond, viewfinder, Wescott
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Phoenix in the rain
I finally get a chance to do a shoot in Phoenix. Phoenix = sunshine and moderate winter daytime temperatures right? Not for me – three straight days of rain and 20-45 mph wind.
I had two TF models lined up – one canceled – good call – it was nasty out.
The second day Lindsey and I manged to get some shooting done between rain showers on South mountain. What a sport she was. we worked inside a covered gazebo then walked up the backside of the mountain to get to the ‘hole in the rock’.
Lindsey is a beautiful young truck driving Army reservist who goes on active duty next month with hopes of becoming a helicopter pilot flying Blackhawks.
See more of Lindsey (LC Pace)
Posted in People, Places
Tagged Army Reservist, Backside, beautiful, black, camera, Days Of Rain, eyes, face, Flickr, Gaze, Gazebo, girl, Hawk, Helicopter Pilot, Hole In The Rock, Hoot, Lc, Light, lighting, Lot, man, model, Models, Moderate Winter, Nasty, one, Pace, Phoenix, Phoenix Phoenix, Photo, Photo Shoot, Photography, Photos, Places, portrait, Rain Showers, Rig, Rkd, RKD Photography, rkdauph, shoot, Straight Days, strobist, sun, Sunshine, Target, Umbrella, Walk, Winter Daytime Temperatures
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King Street Metro Station – Alexandria, VA
While in VA on business for 2 days I decided to walk over to the metro station one evening. Boring stuff, but I was bored.
I had always hesitated taking photographs of strangers on the street. I’m not sure what I expected by way of reaction from people but the truth is no one really seemed to notice. People would watch me take pictures of others, but when they thought I might take their photograph, they ignored me.
People are funny.
Posted in My Photo; My Comment., Places
Tagged Alex, business, Flickr, Fun, Heir, King Street Metro, King Street Metro Station, one, People, Photo, Photograph, Photographer, Photographers, Photographs, Photos, Rig, Rkd, rkdauph, Stranger, street, Stuff, Tree, Truth, Walk
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Nikon D700 vertical banding issue: It happen to me.
Response (Kevin J.)
11/15/2008 06:26 PM
Dear Ray,
This does in fact look like a banding issue and unfortunately there is nothing I can do over the phone.
I am sorry to say you will in fact have to send your D700 into our facility for evaluation:
Again, Thank you
The Nikon Team
I FedExed my D700 to California today ($87 overnight); Kevin, the Nikon rep I spoke to, tells me it’ll be 3-4 weeks to get it back. I purchased the camera in Albany, GA on September 26, 2008 while visiting my folks, so the camera is, what, 2 months old.
I first saw some vertical banding a couple of photographs I took at a local airport. The red (pink) vertical lines were in the gray overcast sky of two pictures. The sky was a bit overexposed and I ignored it, thinking it was something I did wrong.
Last Saturday I was asked to take a team photograph of my daughter’s (See “My Daughter the Ax Murder” article) high school girls LaCrosse team for their website. The coach was there with her young daughter and I took the opportunity to grab a couple of pictures of her with her little girl. (See attached photo – full sized). The banding was intense, bright and undeniable.
The banding was intense, bright and undeniable.
I checked the Nikon website, saw the support office was open and called. I spoke to Kevin who actually told me ‘he’ had not seen any red banding from a D700. I pushed and asked was there a known issue with banding; he again said he had not seen any banding or heard of many at all. We discussed the problem, he opened a trouble ticket, I uploaded the Jpeg to him. Well, I wish I had recorded him when he opened my file; “Wow, I’ve never seen red banding before; it’s usually gray.” No, I didn’t go there.
I have got to tell you: my camera bag full of lenses sure looks empty.
Only 3-4 weeks to go.
UPDATE: November 27: After speaking to a Nikon manager on Tuesday about the problem and possible solutions I arrived home yesterday to find a brand new D700. They replaced the camera.
Posted in My Photo; My Comment.
Tagged art, Ascii, Blog, Break, Cambria, camera, Coach, color, Couple, D700, family, Fun, Fx, girl, girls, Girls Lacrosse, Girls LaCrosse Team, Head, Heir, High School Girls, home, Image, Ink, Last Saturday, lens, Light, Little Girl, man, Mso, My Daughter The Ax Murder, Nap, new, Night, nikon, Nikon D700, Nikon D700 Vertical Banding Issue, Nikon Website, office, one, Orphan, Overcast Sky, Overexposed, Photo, Photograph, Photographer, Photographers, Photographs, Photos, pink, Pose, pro, Reference, Rig, Rkd, Send Your D700 Into Our Facility For Evaluation, Style Definitions, Target, Team Coach, Team Photograph, The Nikon Team, Times New Roman, Track, Train, Trinity High School, Trouble Ticket, ttl, tx, Unfortunately There Is Nothing I Can Do Over The Phone, Vertical Banding A Couple Of Photographs, Vertical Lines
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Post processing; finding the edge
Before and after: Too much?
Sometimes I like to play with a photograph that doesn’t appeal to me in it’s original form. I see other’s work and like the processing or like the concept of it. I tend to get fixated trying new filter effects, crops or plug ins while trying to produce an artistic version that is like a gossamer thread in my mind’s eye.
Sometimes I get to the ‘ah ha’ moment – sometimes I don’t. I do however enjoy the journey to artistic expression.
Posted in My Photo; My Comment.
Tagged Ah Ha, art, Artistic Expression, Crops, Expression, eyes, Filter Effects, Flickr, Gossamer Thread, Journey, new, New Crops, Oment, Photo, Photograph, Photographer, Photographers, Photographs, Photography, Photos, Plug Ins, Post Processing, pro, Rig, Rkd, rkdauph
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near Lake Grapevine.(Let me add that neither stand was designed nor intended, as far as I know, to be use exactly the way I describe here.) But this is how I found out that the EZ Stand’s main extension tubes are not internally secured.












Strobist shooting on location: Don’t miss the targets of opportunity
As a people/model photographer I spend time looking for locations with an interesting background, lighting or feel. Once I have the opportunity to shoot at the location I work through in my head where and how within the location I will setup or design the scene to get the image I want. A lot of it depends on the person’s looks, wants and vision of the session. I am always open to ideas and really enjoy the collaborative process when working with talented people or a least someone who knows what they want to portray in the portrait. Always with the goal of getting the shoe box picture.
There are basically three types of pictures; there are setup or designed shots, candid shots but many times a third type of ‘design’ comes into play for me and I see a ‘target of opportunity’ shot I hadn’t planned or noticed when I scouted the location. In the this image of model Lady Dori Belle, by the way if you get a chance to work with her – jump on it, she’s a class act. We were shooting in a large motorcycle warehouse as we were walking from one side of the warehouse to the other I noticed the light from the skylight.
I placed Susan into the shaft of sunlight screaming brightly through the roof onto the warehouse floor. I had a single Nikon SB-900 Speedlight on an 8′ Cheetah stand with 40″ Wescott white shoot-through umbrella. I used the sun to back light her by changing her position until I had the light where I wanted it and used the SB900 to fill the harsh shadow. An unplanned shot for sure, a target of opportunity you bet – but impossible to pass up when noticed.