Category Archives: Lighting tests

These are things I have photographed before, during or after a photo shoot or as a quick test of the camera settings and/or light setup.

Shooting tethered in the studio

Although I have had the equipment to do it I have only recently started to shoot tethered while working the the studio, I like it.

My equipment/software list:

  • Nikon D700
  • Lens as needed
  • Dell 13″ StudioXPS
  • 500 gb external HD
  • 15′ USB cable
  • Gitzo 1258 Tripod
  • ProLine GMS80A Conductor Sheet Music Stand
  • Nikon Camera Control Pro 2
    • * Just bought TetherPro
  • And of course the studio light gear

So here is the basic setup: Simple and useful.

 

IMG 3079EDITweb 300x200 Shooting tethered in the studio

Tethered setup overview

The above image is from a catalog shoot I did for Jane Burch, see “The Transformation” article.

 

Tethered shooting allows me to view the images in real time on a 13 inch calibrated monitor, allows me to zoom into the images to check focus and detail.

 

RKD 0750 300x194 Shooting tethered in the studio
13 inch image view

I rarely show the monitor to the model, unless I need to show them something specific – good or bad. I do, however, encourage the client, in this case the MUA, to review and comment as the photographs are taken to ensure they are getting what they want and need.

 

IMG 3101EDITwebcropped 300x252 Shooting tethered in the studio

Client reviewing images as shot

I don’t know if it’s the same with Canon equipment but Nikon software places the images onto the computer’s hard-drive not the CF card. I do not edit, much, on the laptop so I have the download directory on an external hard-drive for easy transfer to my desktop editing machine.

 

RKD 0647 pp 1024x662 Shooting tethered in the studio

A final image

While this setup isn’t exactly ‘high end’ it works well for my needs.

 

A specials thanks to Tom Thompson for the behind the scenes shots.

-- Weather When Posted --

  • Temperature: 71°F;
  • Humidity: 81%;
  • Heat Index: 71°F;
  • Wind Chill: 71°F;
  • Pressure: 29.8 in.;

Also posted in My Photo; My Comment., Places, Things | Tagged camera, Camera Control, Canon Equipment, Cf Card, computer, concept, Conductor, connectivity, D700, Dell, Equipment Software, External Hard Drive, External Hd, film, format, Gb, Image Caption, Image View, Inch Image, laptop, Mua, Music Stand, Nbsp, Nikon Camera, Nikon Software, Photographs, Photography, picture, Real Time, Setup Overview, Sheet Music, Software List, tether, tethered, Tom Thompson, Transformation, Tripod, Zoom | Leave a comment

The iPad and photography: Tool, toy or prop?

iPad and David test 2 300x223 The iPad and photography: Tool, toy or prop?I had offered to loan/help another photographer with a project involving the iPad. Of course in order to help him incorporate the iPad into his assignment I had to figure out how to make it work – so off to the studio to do some testing.

I have found the iPad to be much more useful than I had expected in my photography work. I use several Photo apps now at most every session.

So, for you is the iPad use in your photography a tool, toy or prop?

Come join the Flickr group and show your stuff: Flicker iPad and Photography Group

-- Weather When Posted --

  • Temperature: 71°F;
  • Humidity: 86%;
  • Heat Index: 71°F;
  • Wind Chill: 71°F;
  • Pressure: 29.87 in.;

Also posted in My Photo; My Comment., Things | Tagged aiming, america, american, apple, camera, caucasian, computer, D700, digital, dslr, electronics, equipment, Flicker, focus, Groups, Incorporate, Ipad, laptop, lens, nikon, notebook, Photo, Photographer, photographic, photographing, Photography, Photography Group, Photography Work, picture, portrait, studio, Stuff, technology, Tool | 1 Comment

Using Nikon’s Creative Lighting System (CLS) in daylight

4045844104 a58a35651d Using Nikons Creative Lighting System (CLS) in daylight

SB900 using the sun as a hairlight.

I have heard and get asked a lot of questions about Nikon’s CLS’ ability or inability to function in bright daytime conditions. In my experience it really have not been an issue. I pay attention to the speedlight’s position and its sensor location relative to my camera and SU800.

Today’s metering technology is a great asset so I normally let it take the first ‘shot’ at what it sees in a scene. While I have studio lights and a Vagabond II, there is little I haven’t been able to do with my SBs. The above shot was taken with a single SB900.

4063884049 fcbf7c3117 Using Nikons Creative Lighting System (CLS) in daylight

SB900 powered by SD8A on 36 inch JTL stand with 24 inch Westscott umbrella. I use this rig when I travel because it fits in my suitcase.

It was very sunny in California the day I shot Candice – notice the shadow on the lower left of the umbrella even though the speedlight fired for this behind the scene picture.

In the photograph of Candice above I metered for the shaded portion of her face and let Nikon TTL do the rest.

In the event it does not produce the result I want I adjust the stop (by 1/3 steps) on the speedlight.

3486666059 99818abf71 m Using Nikons Creative Lighting System (CLS) in daylight

Controlled on camera with the SU-800. Both speedlights were set to TTL remote.

Distance is another concern CLS nay-sayers bring up.

In this photograph Jason is holding a 42 inch Wescott umbrella with a SB-800 tucked up in the open ribs point towarded the camera to get the light reflected back to his face.

Behind him is a SB-900 shooting into another 42 inch Wescott umbrella. That c-stand is a good 50 feet away and up the hill about 10-12 feet above Jason’s head.

Line of sight is important – so just pay attention. But I have used the SB8 & 900s behind glass, reflected the signal off of windows, mirrors, cars just about any reflective surface. I have also ‘staged’ the lights to ‘see’ another but not the SU800.

Think of the IR signal like a billiard ball.

I also use the Nikon CLS to fill on cloudy daylight sessions.

While in Phoenix last week I did the entire shoot with these tools:

4300344523 030252e866 Using Nikons Creative Lighting System (CLS) in daylight

Stand, Speedlight, umbrella and a model: the only tools you need.

The result:

4301095762 d54deb8801 Using Nikons Creative Lighting System (CLS) in daylight

Single SB900 camera left - TTL triggered with SU800.

The only time I have trouble with the system is when I position myself on the wrong side of the speedlight’s optical sensor or move in front of the flash. I use a ballhead so I can quickly rotate the speedlight into the correct position.

-- Weather When Posted --

  • Temperature: 42°F;
  • Humidity: 72%;
  • Heat Index: 42°F;
  • Wind Chill: 35°F;
  • Pressure: 30.2 in.;

Also posted in Just a quick thought, Things | Tagged Amp, background, Ballhead, beautiful, beauty, beginner, Blog, business, camera, Candice, Cat, Class Announcement, CLS, Controlled, correspondent, creative, Creative Lighting, Creative Lighting System, Creativity, digital, dslr, equipment, face, fashion, Feet, flash, Flickr, focus, Fun, hair, hairlight, hand, Head, hobby, Hoot, human, Image, Ink, journalist, JTL, Lc, lens, Light, lighting, Lighting System, Line Of Sight, Lot, Metering Technology, model, nikon, occupation, one, Pace, paparazzi, Pay Attention, People, Phoenix, Photo, Photograph, Photographer, photographing, Photography, portrait, Portraits, pro, professional, Reflective Surface, Ribs, Rig, Rkd, RKD Photography, Sayers, Sb, sb-800, SB-900, Sb8, SB900, Sbs, scene, Sensor Location, Sessions, Shadow, shoot, shot, speedlight, Stan, stand, strobist, studio, studio lights, Suitcase, sun, Sunny Day, Sunny In California, Target, technology, Test, Tool, traditional, ttl, Umbrella, Vagabond, viewfinder, Wescott | 1 Comment

Things that go Bump during a shoot: A solution for strobists

I have tripped and bumped my way through a lot of shooting locations; the act of repositioning the speedlights on stands with modifiers, while not the biggest challenge of any photo session, was an annoyance I didn’t like. Between the umbrella, open or not, and the open legs of an 8ft light stand I have said ‘Excuse me’; Pardon me’ a hundred times.

Indoors; the knocking around furniture, people and doorways is a headache. Outdoors; moving through people, parked cars, shrubs, trees and rocks presents its own challenges. The act of closing the umbrellas and legs every time I want to reposition the lights is both time consuming and then reversing the process at the new position can a bit unprofessional looking. Sometimes while balancing my camera gear too. I’m not as graceful as I used to be.

I’ve been doing the strobist thing for a couple of years and am always looking for a better more efficient way to get the job done. I was shown a Kwik Stand about a year ago by a studio photographer and liked the idea, but soon found out the Kwik Stand Company had gone out of business. Over the past year two companies have come to market with their versions of the folding leg light stand: Denny EZ Stand and Cheetah Stand. I have tried both and chose the Cheetah Stand for several reasons:

There is no real comparison if you take the time to see the differences. The all metal construction of the Cheetah with its slim solid metal legs and rubber rib-footed feet beats out the thin walled tubular legs of the EZ Stand with its flat smooth plastic ones. The EZ Stand feet appear larger but only one edge actually contacts the floor and it slides easily on smooth shiny floors. Maybe it’s a feature and not a flaw; in any case I didn’t care for it.

The legs of both extend on contact with the ground but the EZ Stand does not compress back to its body as closely the Cheetah. Not a huge deal but depending on the space, think church pews, you’re navigating – it just might. The all metal locking clamps and thumb wings of the Cheetah appear to be better suited to hold up over time with field use.

My copy of the EZ Stand did not smoothly extend or compress, the bottom (largest) pole section was very stiff in fact. It’s supposed to be an air cushion stand, why I’m not sure for such a small stand, which may be the reason for the gummed up feel. Fully extended, the EZ Stand is about an inch taller. The tubes are not internally secured (more on this in a minute). The Cheetah on the other hand is quick and smooth without being a hazard to your equipment with common sense and normal equipment care.

In field use neither stand met all my needs. Because of the inherent design required for this type of stand, the center post must extend down to within an inch or so of the surface. This is only a problem, for me anyway, when shooting on very rough uneven terrain like a rocky ledge 3708200578 f962113392 m Things that go Bump during a shoot: A solution for strobistsnear Lake Grapevine.(Let me add that neither stand was designed nor intended, as far as I know, to be use exactly the way I describe here.) But this is how I found out that the EZ Stand’s main extension tubes are not internally secured.

During a two speedlight shoot, one Cheetah and one EZ stand, I was unable place the opened legs of either stand on the uneven rocky ground. So, in my get the job done mode, I placed (gently wedged/balanced) the stands in-between some rocks. Worked like a charm; got the pictures; time to move on. When I reached out to grab the EZ Stand by the middle tube, balanced upon another rock, to lift it out of the crevice I had half a light stand in my hand. I did not jerk or twist it; it just ‘plop’ came apart. Ten minutes later I moved on with two complete stands. Good news, the tube went back in as easily as it came out.

Now here is a completely mox nix point I noticed, the EZ Stand could be used as a wind chime with all the hollow metal racket it makes when you walk around with it.

So the Cheetah Stand works for me, I now have four of them and they go where I go. Quite, reliable and built to last.

-- Weather When Posted --

  • Temperature: 31°F;
  • Humidity: 75%;
  • Heat Index: 30°F;
  • Wind Chill: 25°F;
  • Pressure: 30.48 in.;

Also posted in Things | Tagged Air Cushion, Amp, Annoyance, art, background, black, Blog, business, camera, Camera Gear, Cat, Cheetah, Cheetah Stand, CheetahStand, church, Church Pews, Clamps, color, colour, Common Sense, Contact, Couple, Denny, Denny's EZ Stand, door, Doorways, Duri, education, equipment, Extension Tubes, EZ Stand, face, Feet, film, Flickr, frame, hand, Head, Headache, Heir, Hoot, Hundred Times, illustration, Image, Ink, Iso, isolated, Job, Lake Grapevine, lamp, Light, lightstand, Lot, metal, Metal Construction, Metal Legs, model, Modifiers, new, New Position, object, office, one, Open Legs, Pace, paper, People, person, Photo, Photo Session, Photograph, Photographer, Photography, portrait, Pose, pro, professional, Reason, Repositioning, Rig, RKD Photography, Rocky Ledge, Shiny Floors, shoot, Shrubs, Smooth, space, speedlight, spotlight, Stan, stand, standing, strobe, strobist, studio, Studio Photographer, Target, technology, Tension, Things, Thumb, Tree, Trees, Umbrella, Umbrellas, Uneven Terrain, Walk, Wings | 2 Comments

Strobist ballhead and umbrella test

3493512371 076561ff9d m Strobist ballhead and umbrella test

In Joe McNally‘s CLS video it showed him using a ballhead to align the flashhead along the umbrella stem axis. Made sense that it would distribute the light more evenly; so I bought the rig. Here’s the test results – you decide.

As pointed out in the note above, I forgot the diffuser.

Single SB800 set to TTL into Wescott 42″ shoot through umbrella.

The ballhead is the Manfrotto Lite Tite Swivel+Umbrella Adapter 26
The coldshoe is the Stroboframe Shoe-type Flash Mount Cat. No 300-SHO

I consider this as a ‘nice to know’ experiment only. With the inherent spill associated with shoot through umbrellas and with the difusser on the speedlight the coverage appears to be good. One additional advantage I found with the ballhead set is the ability to quickly rotate the flash body to align the IR sensor to face the camera.

I’ll know better after I field test it.

3493654589 a843384855 m Strobist ballhead and umbrella test

3500660886 fd9585bbbc m Strobist ballhead and umbrella test

Sideview

-- Weather When Posted --

  • Temperature: 31°F;
  • Humidity: 75%;
  • Heat Index: 30°F;
  • Wind Chill: 25°F;
  • Pressure: 30.48 in.;

Tagged art, Axis, background, Ballhead, black, camera, Cat, CLS, color, colour, diffuser, education, equipment, face, Field Test, film, flash, flash test, Flickr, frame, Head, Hoot, illustration, Image, Ir Sensor, isolated, Joe Mcnally, lamp, Light, Light And Shadow, lighting, Lighting tests, man, Manfrotto, metal, model, new, nikon, Nikon Speedlights, object, office, one, paper, People, person, Photo, Photograph, Photographer, Photography, Photos, portrait, professional, Rig, Rkd, RKD Photography, rkdauph, Sb, sb-800, Sb8, SB800, Shoe Type, shoot, Shoot Though Umbrella, space, speedlight, Spill, spotlight, stand, standing, strobe, strobist, studio, Target, technology, Test, Test Results, ttl, Umbrella, Umbrellas, Wescott, White Umbrella | Comments Off

Bokeh: How we love thee

I shot a corporate annual conference dinner the other evening, then posted the images on-line for the attendees to download. We used flash at the start of the event. In an attempt to capture the feel of the evening I switched to my Nikkor 85mm f/1.4 IF-D and shot wide open at f/1.4 in the dimly lit rooms.

I love the lens for it’s sharpness and speed. It works amazingly well with the high ISO capabilities of the D700 which I had set to ISO 1000.

Nearly all of the feedback I have received were on the photographs with the heaviest bohek.

“Bokeh (derived from Japanese, a noun boke 暈け, meaning “blurred or fuzzy”) is a photographic term referring to the appearance of out-of-focus areas in an image produced by a camera lens using a shallow depth of field.”

I like the bokeh too but the comments got me to thinking about why. I will hazard a guess that it most closely mimics the human eye’s ability to sharply focus and isolate upon a single subject within a busy field of view.

Pay attention to your vision the next time your gaze is fixed on just about anything. Notice the ‘bokeh’ effect of the background when concentrating on your morning coffee cup; the sharpness of the person across the room while all else seems to disappear.

Let me know.

-- Weather When Posted --

  • Temperature: 37°F;
  • Humidity: 75%;
  • Heat Index: 37°F;
  • Wind Chill: 29°F;
  • Pressure: 30.09 in.;

Also posted in My Photo; My Comment., People | Tagged Appearance, art, Attempt, Attendees, background, Bokeh, camera, Camera Lens, Capabilities, Coffee Cup, Conference Dinner, D700, Depth Of Field, flash, Flickr, focus, Focus Areas, Gaze, girl, Guess, High ISO, human, Human Eye, Image, Images, Ink, Iso, lens, Lit Rooms, Love, man, Morning Coffee, Nikkor, Nikkor 85mm, Noun, Pay Attention, person, Photo, Photograph, Photographs, Photos, pro, Rig, Rkd, RKD Photography, rkdauph, Shallow Depth Of Field, Sharpness, shot | Comments Off

Adobe Camera Raw 4.5 and Nikon D300 Picture Control Files

acr 45 sc 300x194 Adobe Camera Raw 4.5 and Nikon D300 Picture Control Files

ACR 4.5 Screen Capture

I stumbled upon an update to the Photoshop CS3 plug-in Adobe Camera Raw 4.5 yesterday. The camera profile function is very cool and recognized my Nikon D-300 NEF raw files on its own.

Not only does this update support Nikon’s Picture Control Files supplied by Nikon with the D300 ( Standard, Neutral, Vivid and Monochrome) but also the 3 D2X PCFs (D2XMODE1, D2XMODE2, D2XMODE3). It does not however come with Ken Rockwell PCF support. See my ducky Picture Control file test here.

On the few images I’ve had time to play with, the application of the Control File settings in the NEF file appears to be a close match to Nikon’s own Capture NX and NX2.

Tagged Adobe, Adobe Camera Raw 4.5, Blog, camera, Capture Nx, Cat, Close Match, Cs3, D2x, d300, Ducky, File Test, Fun, Image, Images, Ken Rockwell, Nef, Nef File, nikon, nikon d300, Nx2, Pcf, Photo, Photos, Photoshop, Photoshop CS3, picture control file, pro, Profile, Raw Files, Rig, Rkd, rkdauph, Screen Capture, Stan, stand, Target, Test | Leave a comment

Strobist “On Location” kit.

This is my on ‘location’ kit. 2xSB-800s, SB-600, PhotoFlex LiteDome Q3 9, a Wescott 32″ umbrella and two or three stands.

I have replaced the SB600 with a SB900 since this article was written.

Flashes controlled with the D300′s Commander mode.

2557914641 0da787e03e m Strobist On Location kit.

the result

Taken with my ‘location’ kit. In this case, the location was my media room.

-- Weather When Posted --

  • Temperature: 36°F;
  • Humidity: 85%;
  • Heat Index: 36°F;
  • Wind Chill: 32°F;
  • Pressure: 30.12 in.;

Tagged art, Cat, Controlled, d300, flash, Flickr, man, Modes, Photo, Photoflex, Photos, Q3, Rig, Rkd, rkdauph, Sb, sb-800, SB600, SB900, Stan, stand, strobist, Umbrella, Wescott | 3 Comments

$9 optical mini strobe test

dav and miglena 182 300x199 $9 optical mini strobe test


I’m always looking for ways to light things. This was a fun shoot and I decided to use a small flash attached to the camera’s reflector with a piece of double sided tape.

The camera held by Miglena is a Kodak Duaflex IV Camera with a mini strobe placed into the flash holder. The light on Dav is actually coming from the Kodak. See Photo Playground set from a closer image of the camera.

-- Weather When Posted --

  • Temperature: 76°F;
  • Humidity: 71%;
  • Heat Index: 77°F;
  • Wind Chill: 76°F;
  • Pressure: 29.97 in.;

Tagged Blog, camera, Dav, Double Sided Tape, flash, Flickr, Fun, Fun Shoot, Hoot, Image, Images, Kodak Duaflex Iv, Light, lighting, Mini Strobe, Photo, Photos, Places, Playground, Reflector, Rig, Rkd, rkdauph, shoot, strobe, Strobes, Test, Things | Leave a comment

Nikon D700 High ISO Test

2970572838 c99a57e97b m Nikon D700 High ISO Test

A test of my D700 on the hotel deck: downtown Minneapolis. Camera set to Aperture priority mode, Auto WB, Auto ISO, AF Nikkor 85mm f/1.4 IF-D at f1.4. The photograph to the right is ISO 11200.

See additional photographs and the “More Properties” information on D700 high ISO Flickr set for additional details.

No post processing in Photoshop CS3 other than to resize for here. All noise reduction software applied at default setting.

See gallery below to see the effect of Noise Ninja, Neat Image and Topaz Denoise.

I did not speak to the result intentionally, each should reach his own conclusion.

larrygerbrandt on Flickr had a good idea on post noise reduction sharpening so I gave it a shot.

Added: Topaz Denoise then Nik Sharpener Pro 2.0 applied to the image.

Noise reduction applied to whole photograph added to the Flickr set here.


100%-crop and noise reduction test

-- Weather When Posted --

  • Temperature: 64°F;
  • Humidity: 77%;
  • Heat Index: 64°F;
  • Wind Chill: 63°F;
  • Pressure: 29.87 in.;

Also posted in Places | Tagged 100%-Crop, Additional Details, AF Nikkor 85mm F/1.4 IF-D, Aperture, Aperture Priority, Auto ISO, Auto WB, Blog, camera, Conclusion, Cs3, D700, Deck, Downtown, Downtown Minneapolis, F1, F1.4, Flickr, High ISO, Hotel, Image, Images, Iso, ISO 11200, Minneapolis, Modes, Neat Image, Nikkor, Nikkor 85mm, nikon, Nikon D700, Noise Ninja, Noise Reduction, Noise Reduction Software, Noise Reduction Test, Photo, Photograph, Photographer, Photographers, Photographs, Photos, Photoshop, Photoshop CS3, Post Processing, pro, Rig, Rkd, rkdauph, shot, Target, Test, Topaz, Topaz Denoise | 4 Comments