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My job as your photographer is to do more than just put a face to the name. I bring experience, professionalism, confidence, and a relaxed persona that produces photographs that instill a sense of trust and confidence in a potential client or customer. When you don’t do that, you will fail to get everything you can out of a brochure, website, or press release. The picture is critical.
They say that a picture is worth a thousand words, but you rarely hear about the reactions to a poor quality photograph. Professional photography when presenting yourself or company to the public is a necessity.
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Category Archives: Lighting tests
The iPad and photography: Tool, toy or prop?
I had offered to loan/help another photographer with a project involving the iPad. Of course in order to help him incorporate the iPad into his assignment I had to figure out how to make it work – so off to the studio to do some testing.
I have found the iPad to be much more useful than I had expected in my photography work. I use several Photo apps now at most every session.
So, for you is the iPad use in your photography a tool, toy or prop?
Come join the Flickr group and show your stuff: Flicker iPad and Photography Group
-- Weather When Posted --
- Temperature: 71°F;
- Humidity: 86%;
- Heat Index: 71°F;
- Wind Chill: 71°F;
- Pressure: 29.87 in.;
Also posted in My Photo; My Comment., Things
Tagged aiming, america, american, apple, camera, caucasian, computer, D700, digital, dslr, electronics, equipment, Flicker, focus, Groups, Incorporate, Ipad, laptop, lens, nikon, notebook, Photo, Photographer, photographic, photographing, Photography, Photography Group, Photography Work, picture, portrait, studio, Stuff, technology, Tool
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Using Nikon’s Creative Lighting System (CLS) in daylight
I have heard and get asked a lot of questions about Nikon’s CLS’ ability or inability to function in bright daytime conditions. In my experience it really have not been an issue. I pay attention to the speedlight’s position and its sensor location relative to my camera and SU800.
Today’s metering technology is a great asset so I normally let it take the first ‘shot’ at what it sees in a scene. While I have studio lights and a Vagabond II, there is little I haven’t been able to do with my SBs. The above shot was taken with a single SB900.

SB900 powered by SD8A on 36 inch JTL stand with 24 inch Westscott umbrella. I use this rig when I travel because it fits in my suitcase.
It was very sunny in California the day I shot Candice – notice the shadow on the lower left of the umbrella even though the speedlight fired for this behind the scene picture.
In the photograph of Candice above I metered for the shaded portion of her face and let Nikon TTL do the rest.
In the event it does not produce the result I want I adjust the stop (by 1/3 steps) on the speedlight.
Distance is another concern CLS nay-sayers bring up.
In this photograph Jason is holding a 42 inch Wescott umbrella with a SB-800 tucked up in the open ribs point towarded the camera to get the light reflected back to his face.
Behind him is a SB-900 shooting into another 42 inch Wescott umbrella. That c-stand is a good 50 feet away and up the hill about 10-12 feet above Jason’s head.
Line of sight is important – so just pay attention. But I have used the SB8 & 900s behind glass, reflected the signal off of windows, mirrors, cars just about any reflective surface. I have also ‘staged’ the lights to ‘see’ another but not the SU800.
Think of the IR signal like a billiard ball.
I also use the Nikon CLS to fill on cloudy daylight sessions.
While in Phoenix last week I did the entire shoot with these tools:
The result:
The only time I have trouble with the system is when I position myself on the wrong side of the speedlight’s optical sensor or move in front of the flash. I use a ballhead so I can quickly rotate the speedlight into the correct position.
-- Weather When Posted --
- Temperature: 42°F;
- Humidity: 72%;
- Heat Index: 42°F;
- Wind Chill: 35°F;
- Pressure: 30.2 in.;
Also posted in Just a quick thought, Things
Tagged Amp, background, Ballhead, beautiful, beauty, beginner, Blog, business, camera, Candice, Cat, Class Announcement, CLS, Controlled, correspondent, creative, Creative Lighting, Creative Lighting System, Creativity, digital, dslr, equipment, face, fashion, Feet, flash, Flickr, focus, Fun, hair, hairlight, hand, Head, hobby, Hoot, human, Image, Ink, journalist, JTL, Lc, lens, Light, lighting, Lighting System, Line Of Sight, Lot, Metering Technology, model, nikon, occupation, one, Pace, paparazzi, Pay Attention, People, Phoenix, Photo, Photograph, Photographer, photographing, Photography, portrait, Portraits, pro, professional, Reflective Surface, Ribs, Rig, Rkd, RKD Photography, Sayers, Sb, sb-800, SB-900, Sb8, SB900, Sbs, scene, Sensor Location, Sessions, Shadow, shoot, shot, speedlight, Stan, stand, strobist, studio, studio lights, Suitcase, sun, Sunny Day, Sunny In California, Target, technology, Test, Tool, traditional, ttl, Umbrella, Vagabond, viewfinder, Wescott
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Bokeh: How we love thee
I shot a corporate annual conference dinner the other evening, then posted the images on-line for the attendees to download. We used flash at the start of the event. In an attempt to capture the feel of the evening I switched to my Nikkor 85mm f/1.4 IF-D and shot wide open at f/1.4 in the dimly lit rooms.
I love the lens for it’s sharpness and speed. It works amazingly well with the high ISO capabilities of the D700 which I had set to ISO 1000.
Nearly all of the feedback I have received were on the photographs with the heaviest bohek.
“Bokeh (derived from Japanese, a noun boke 暈け, meaning “blurred or fuzzy”) is a photographic term referring to the appearance of out-of-focus areas in an image produced by a camera lens using a shallow depth of field.”
I like the bokeh too but the comments got me to thinking about why. I will hazard a guess that it most closely mimics the human eye’s ability to sharply focus and isolate upon a single subject within a busy field of view.
Pay attention to your vision the next time your gaze is fixed on just about anything. Notice the ‘bokeh’ effect of the background when concentrating on your morning coffee cup; the sharpness of the person across the room while all else seems to disappear.
Let me know.
-- Weather When Posted --
- Temperature: 37°F;
- Humidity: 75%;
- Heat Index: 37°F;
- Wind Chill: 29°F;
- Pressure: 30.09 in.;
Also posted in My Photo; My Comment., People
Tagged Appearance, art, Attempt, Attendees, background, Bokeh, camera, Camera Lens, Capabilities, Coffee Cup, Conference Dinner, D700, Depth Of Field, flash, Flickr, focus, Focus Areas, Gaze, girl, Guess, High ISO, human, Human Eye, Image, Images, Ink, Iso, lens, Lit Rooms, Love, man, Morning Coffee, Nikkor, Nikkor 85mm, Noun, Pay Attention, person, Photo, Photograph, Photographs, Photos, pro, Rig, Rkd, RKD Photography, rkdauph, Shallow Depth Of Field, Sharpness, shot
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Adobe Camera Raw 4.5 and Nikon D300 Picture Control Files
I stumbled upon an update to the Photoshop CS3 plug-in Adobe Camera Raw 4.5 yesterday. The camera profile function is very cool and recognized my Nikon D-300 NEF raw files on its own.
Not only does this update support Nikon’s Picture Control Files supplied by Nikon with the D300 ( Standard, Neutral, Vivid and Monochrome) but also the 3 D2X PCFs (D2XMODE1, D2XMODE2, D2XMODE3). It does not however come with Ken Rockwell PCF support. See my ducky Picture Control file test here.
On the few images I’ve had time to play with, the application of the Control File settings in the NEF file appears to be a close match to Nikon’s own Capture NX and NX2.
Tagged Adobe, Adobe Camera Raw 4.5, Blog, camera, Capture Nx, Cat, Close Match, Cs3, D2x, d300, Ducky, File Test, Fun, Image, Images, Ken Rockwell, Nef, Nef File, nikon, nikon d300, Nx2, Pcf, Photo, Photos, Photoshop, Photoshop CS3, picture control file, pro, Profile, Raw Files, Rig, Rkd, rkdauph, Screen Capture, Stan, stand, Target, Test
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Strobist “On Location” kit.
This is my on ‘location’ kit. 2xSB-800s, SB-600, PhotoFlex LiteDome Q3 9, a Wescott 32″ umbrella and two or three stands.
I have replaced the SB600 with a SB900 since this article was written.
Flashes controlled with the D300′s Commander mode.

Taken with my ‘location’ kit. In this case, the location was my media room.
-- Weather When Posted --
- Temperature: 36°F;
- Humidity: 85%;
- Heat Index: 36°F;
- Wind Chill: 32°F;
- Pressure: 30.12 in.;
$9 optical mini strobe test
I’m always looking for ways to light things. This was a fun shoot and I decided to use a small flash attached to the camera’s reflector with a piece of double sided tape.
The camera held by Miglena is a Kodak Duaflex IV Camera with a mini strobe placed into the flash holder. The light on Dav is actually coming from the Kodak. See Photo Playground set from a closer image of the camera.
-- Weather When Posted --
- Temperature: 76°F;
- Humidity: 71%;
- Heat Index: 77°F;
- Wind Chill: 76°F;
- Pressure: 29.97 in.;
Nikon D700 High ISO Test
A test of my D700 on the hotel deck: downtown Minneapolis. Camera set to Aperture priority mode, Auto WB, Auto ISO, AF Nikkor 85mm f/1.4 IF-D at f1.4. The photograph to the right is ISO 11200.
See additional photographs and the “More Properties” information on D700 high ISO Flickr set for additional details.
No post processing in Photoshop CS3 other than to resize for here. All noise reduction software applied at default setting.
See gallery below to see the effect of Noise Ninja, Neat Image and Topaz Denoise.
I did not speak to the result intentionally, each should reach his own conclusion.
larrygerbrandt on Flickr had a good idea on post noise reduction sharpening so I gave it a shot.
Added: Topaz Denoise then Nik Sharpener Pro 2.0 applied to the image.
Noise reduction applied to whole photograph added to the Flickr set here.
- 100%-crop and noise reduction test
-- Weather When Posted --
- Temperature: 64°F;
- Humidity: 77%;
- Heat Index: 64°F;
- Wind Chill: 63°F;
- Pressure: 29.87 in.;
Also posted in Places
Tagged 100%-Crop, Additional Details, AF Nikkor 85mm F/1.4 IF-D, Aperture, Aperture Priority, Auto ISO, Auto WB, Blog, camera, Conclusion, Cs3, D700, Deck, Downtown, Downtown Minneapolis, F1, F1.4, Flickr, High ISO, Hotel, Image, Images, Iso, ISO 11200, Minneapolis, Modes, Neat Image, Nikkor, Nikkor 85mm, nikon, Nikon D700, Noise Ninja, Noise Reduction, Noise Reduction Software, Noise Reduction Test, Photo, Photograph, Photographer, Photographers, Photographs, Photos, Photoshop, Photoshop CS3, Post Processing, pro, Rig, Rkd, rkdauph, shot, Target, Test, Topaz, Topaz Denoise
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near Lake Grapevine.(Let me add that neither stand was designed nor intended, as far as I know, to be use exactly the way I describe here.) But this is how I found out that the EZ Stand’s main extension tubes are not internally secured.
















Shooting tethered in the studio
Although I have had the equipment to do it I have only recently started to shoot tethered while working the the studio, I like it.
My equipment/software list:
So here is the basic setup: Simple and useful.
Tethered setup overview
The above image is from a catalog shoot I did for Jane Burch, see “The Transformation” article.
Tethered shooting allows me to view the images in real time on a 13 inch calibrated monitor, allows me to zoom into the images to check focus and detail.
I rarely show the monitor to the model, unless I need to show them something specific – good or bad. I do, however, encourage the client, in this case the MUA, to review and comment as the photographs are taken to ensure they are getting what they want and need.
Client reviewing images as shot
I don’t know if it’s the same with Canon equipment but Nikon software places the images onto the computer’s hard-drive not the CF card. I do not edit, much, on the laptop so I have the download directory on an external hard-drive for easy transfer to my desktop editing machine.
A final image
While this setup isn’t exactly ‘high end’ it works well for my needs.
A specials thanks to Tom Thompson for the behind the scenes shots.
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