My Photo; My Comment. | A Photographer's Journey

I was asked if I ever used the largest aperture for portraits. The three images were shot in front of the group to demonstrate how to use depth of field to change the tone or focus withing a portrait.

Click to continue reading “Using Depth of Field Demostration in Portraits: CLS works with you”

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Temperature: 79°F;
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Makeup by Marie-Térese MM#1317488

As a people/model photographer I spend time looking for locations with an interesting background, lighting or feel. Once I have the opportunity to shoot at the location I work through in my head where and how within the location I will setup or design the scene to get the image I want. A lot of it depends on the person’s looks, wants and vision of the session. I am always open to ideas and really enjoy the collaborative process when working with talented people or a least someone who knows what they want to portray in the portrait. Always with the goal of getting the shoe box picture.

There are basically three types of pictures; there are setup or designed shots, candid shots but many times a third type of ‘design’ comes into play for me and I see a ‘target of opportunity’ shot I hadn’t planned or noticed when I scouted the location. In the this image of model Lady Dori Belle, by the way if you get a chance to work with her – jump on it, she’s a class act. We were shooting in a large motorcycle warehouse as we were walking from one side of the warehouse to the other I noticed the light from the skylight.

I placed Susan into the shaft of sunlight screaming brightly through the roof onto the warehouse floor. I had a single Nikon SB-900 Speedlight on an 8′ Cheetah stand with 40″ Wescott white shoot-through umbrella. I used the sun to back light her by changing her position until I had the light where I wanted it and used the SB900 to fill the harsh shadow. An unplanned shot for sure, a target of opportunity you bet – but impossible to pass up when noticed.

Any Questions?

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I always have my speedlights when doing an outdoor portrait session. I know the basics of using natural light with or without reflectors but also know what I want. I don’t always use the speedlights, but I always have them.

When I do use them I try to either use the natural light to compliment the flash or the flash to compliment the natural light.

An example of each:

flash to compliment the natural light

natural light to compliment the flash

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Temperature: 63°F;
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3757746163 407bee0134 m WWII Re Enactors strobist shoot fun

Last weekend our DFW Midcities Strobist Meetup Group had a fun and interesting strobist outing shooting a few local WWII re-enactors. Lynn and Dean are long time players while Zack and Zane were a member’s teenage sons were conscripted into the German Army for the event.

As a photographer I thought I had a lot of gear; man these guys had more toys than any man should be allowed to own. A full sized anti-tank canon, land mines, machine guns, pistols , camouflage nets, manikins, road signs, barbed wire and on and on and on.

10 strobists, 4 actors, 5 acres of land and toys! We had a blast.

See more of my photos, including behind the scenes shots, here. To see all the uploaded photos by members of the groups go here.

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Temperature: 93°F;
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2982145253 8b21d7c441 m King Street Metro Station Alexandria, VA

While in VA on business for 2 days I decided to walk over to the metro station one evening. Boring stuff, but I was bored.

I had always hesitated taking photographs of strangers on the street. I’m not sure what I expected by way of reaction from people but the truth is no one really seemed to notice. People would watch me take pictures of others, but when they thought I might take their photograph, they ignored me.

People are funny.

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Temperature: 63°F;
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Response (Kevin J.)

11/15/2008 06:26 PM

Dear Ray,
This does in fact look like a banding issue and unfortunately there is nothing I can do over the phone.
I am sorry to say you will in fact have to send your D700 into our facility for evaluation:
Again, Thank you
The Nikon Team

I FedExed my D700 to California today ($87 overnight); Kevin, the Nikon rep I spoke to, tells me it’ll be 3-4 weeks to get it back. I purchased the camera in Albany, GA on September 26, 2008 while visiting my folks, so the camera is, what, 2 months old.

I first saw some vertical banding a couple of photographs I took at a local airport. The red (pink) vertical lines were in the gray overcast sky of two pictures. The sky was a bit overexposed and I ignored it, thinking it was something I did wrong.

Last Saturday I was asked to take a team photograph of my daughter’s (See “My Daughter the Ax Murder” article) high school girls LaCrosse team for their website. The coach was there with her young daughter and I took the opportunity to grab a couple of pictures of her with her little girl. (See attached photo – full sized). The banding was intense, bright and undeniable.

The banding was intense, bright and undeniable.

I checked the Nikon website, saw the support office was open and called. I spoke to Kevin who actually told me ‘he’ had not seen any red banding from a D700. I pushed and asked was there a known issue with banding; he again said he had not seen any banding or heard of many at all. We discussed the problem, he opened a trouble ticket, I uploaded the Jpeg to him. Well, I wish I had recorded him when he opened my file; “Wow, I’ve never seen red banding before; it’s usually gray.” No, I didn’t go there.

I have got to tell you: my camera bag full of lenses sure looks empty.

Only 3-4 weeks to go.

UPDATE: November 27: After speaking to a Nikon manager on Tuesday about the problem and possible solutions I arrived home yesterday to find a brand new D700. They replaced the camera.

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Temperature: 50°F;
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3366997252 6ea11ee97e m Post processing; finding the edge

Before and after: Too much?

Sometimes I like to play with a photograph that doesn’t appeal to me in it’s original form. I see other’s work and like the processing or like the concept of it. I tend to get fixated trying new filter effects, crops or plug ins while trying to produce an artistic version that is like a gossamer thread in my mind’s eye.

Sometimes I get to the ‘ah ha’ moment – sometimes I don’t. I do however enjoy the journey to artistic expression.

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Want to completely change the mood, refocus attention or perspective within your photograph? Try cropping in tightly. Near 100% crop to highlight the gull here.

Truth be known, although it is the same gull as in the taking flight picture, I did not notice its presence until post processing.

3313120320 b49999a31c m Cropping to change mood, attention or perspective

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Temperature: 43°F;
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Temperature: 37°F;
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I was blown away by the creativity.

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Temperature: 50°F;
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Strobist shooting on location: Don't miss the targets of opportunity

Outdoor Speedlight use in portraiture

WWII Re-Enactors strobist shoot fun

King Street Metro Station - Alexandria, VA

Nikon D700 vertical banding issue: It happen to me.

Post processing; finding the edge

Cropping to change mood, attention or perspective

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Ya gotta see this: Her Morning Elegance

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