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My job as your photographer is to do more than just put a face to the name. I bring experience, professionalism, confidence, and a relaxed persona that produces photographs that instill a sense of trust and confidence in a potential client or customer. When you don’t do that, you will fail to get everything you can out of a brochure, website, or press release. The picture is critical.
They say that a picture is worth a thousand words, but you rarely hear about the reactions to a poor quality photograph. Professional photography when presenting yourself or company to the public is a necessity.
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Tag Archives: Cat
Flash Above The Rest – Canon Speedlite 430EX
Canon has been at this for a long, long time and they realize what it is their customers want, need and expect from them as one of the most well known camera purveyors in existence today.
Click to continue reading “Flash Above The Rest – Canon Speedlite 430EX”
-- Weather When Posted --
- Temperature: 42°F;
- Humidity: 88%;
- Heat Index: 42°F;
- Wind Chill: 37°F;
- Pressure: 29.97 in.;
Posted in Guest Article
Also tagged art, Aster, Axis, Butt, camera, Canon, Canon Speedlite 430ex Flash, color, Curtain Sync, Custom Functions, digital, Digital Camera, Digital Slr, Eos 1ds Mark Ii, Eos Rebel, Eos Rebel T2, Eos System, Exposure Technology, face, Feet, film, flash, Flash Exposure, Flash Model, Flash Unit, Focal Length, frame, Fun, Head, Heir, Image, Ink, Iso, Lc, lens, Light, Long Long Time, Long Time, Love, man, Manual Flash, Maximum Guide Number, model, Models, Modes, Nap, Nef, new, one, Ounce, person, Photo, Photograph, Photographer, Photographers, Photos, Places, pro, Rebel T2, Rechargeable Aa Batteries, Rig, Rotary Dial, Sb, Second Curtain, shot, Stan, stand, standing, Sync Function, technology, ttl, White Balance
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Using Nikon’s Creative Lighting System (CLS) in daylight
I have heard and get asked a lot of questions about Nikon’s CLS’ ability or inability to function in bright daytime conditions. In my experience it really have not been an issue. I pay attention to the speedlight’s position and its sensor location relative to my camera and SU800.
Today’s metering technology is a great asset so I normally let it take the first ‘shot’ at what it sees in a scene. While I have studio lights and a Vagabond II, there is little I haven’t been able to do with my SBs. The above shot was taken with a single SB900.

SB900 powered by SD8A on 36 inch JTL stand with 24 inch Westscott umbrella. I use this rig when I travel because it fits in my suitcase.
It was very sunny in California the day I shot Candice – notice the shadow on the lower left of the umbrella even though the speedlight fired for this behind the scene picture.
In the photograph of Candice above I metered for the shaded portion of her face and let Nikon TTL do the rest.
In the event it does not produce the result I want I adjust the stop (by 1/3 steps) on the speedlight.
Distance is another concern CLS nay-sayers bring up.
In this photograph Jason is holding a 42 inch Wescott umbrella with a SB-800 tucked up in the open ribs point towarded the camera to get the light reflected back to his face.
Behind him is a SB-900 shooting into another 42 inch Wescott umbrella. That c-stand is a good 50 feet away and up the hill about 10-12 feet above Jason’s head.
Line of sight is important – so just pay attention. But I have used the SB8 & 900s behind glass, reflected the signal off of windows, mirrors, cars just about any reflective surface. I have also ‘staged’ the lights to ‘see’ another but not the SU800.
Think of the IR signal like a billiard ball.
I also use the Nikon CLS to fill on cloudy daylight sessions.
While in Phoenix last week I did the entire shoot with these tools:
The result:
The only time I have trouble with the system is when I position myself on the wrong side of the speedlight’s optical sensor or move in front of the flash. I use a ballhead so I can quickly rotate the speedlight into the correct position.
-- Weather When Posted --
- Temperature: 42°F;
- Humidity: 72%;
- Heat Index: 42°F;
- Wind Chill: 35°F;
- Pressure: 30.2 in.;
Posted in Just a quick thought, Lighting tests, Things
Also tagged Amp, background, Ballhead, beautiful, beauty, beginner, Blog, business, camera, Candice, Class Announcement, CLS, Controlled, correspondent, creative, Creative Lighting, Creative Lighting System, Creativity, digital, dslr, equipment, face, fashion, Feet, flash, Flickr, focus, Fun, hair, hairlight, hand, Head, hobby, Hoot, human, Image, Ink, journalist, JTL, Lc, lens, Light, lighting, Lighting System, Line Of Sight, Lot, Metering Technology, model, nikon, occupation, one, Pace, paparazzi, Pay Attention, People, Phoenix, Photo, Photograph, Photographer, photographing, Photography, portrait, Portraits, pro, professional, Reflective Surface, Ribs, Rig, Rkd, RKD Photography, Sayers, Sb, sb-800, SB-900, Sb8, SB900, Sbs, scene, Sensor Location, Sessions, Shadow, shoot, shot, speedlight, Stan, stand, strobist, studio, studio lights, Suitcase, sun, Sunny Day, Sunny In California, Target, technology, Test, Tool, traditional, ttl, Umbrella, Vagabond, viewfinder, Wescott
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Adobe Camera Raw 4.5 and Nikon D300 Picture Control Files
I stumbled upon an update to the Photoshop CS3 plug-in Adobe Camera Raw 4.5 yesterday. The camera profile function is very cool and recognized my Nikon D-300 NEF raw files on its own.
Not only does this update support Nikon’s Picture Control Files supplied by Nikon with the D300 ( Standard, Neutral, Vivid and Monochrome) but also the 3 D2X PCFs (D2XMODE1, D2XMODE2, D2XMODE3). It does not however come with Ken Rockwell PCF support. See my ducky Picture Control file test here.
On the few images I’ve had time to play with, the application of the Control File settings in the NEF file appears to be a close match to Nikon’s own Capture NX and NX2.
Posted in Lighting tests
Also tagged Adobe, Adobe Camera Raw 4.5, Blog, camera, Capture Nx, Close Match, Cs3, D2x, d300, Ducky, File Test, Fun, Image, Images, Ken Rockwell, Nef, Nef File, nikon, nikon d300, Nx2, Pcf, Photo, Photos, Photoshop, Photoshop CS3, picture control file, pro, Profile, Raw Files, Rig, Rkd, rkdauph, Screen Capture, Stan, stand, Target, Test
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Hassled by the Washington, DC Park Rangers for taking photos
I’ve spent the last three days here in Washington, DC on business. Meetings with the
FAA, HHS and the WAAS office. Long times between meetings and I’ve been done pretty early in the day. So, I placed a casting call on ModelMayhem to see if I could pass the time doing what I like to do, take pictures. 5 or 6 TFCD models responded and I set up sessions with two of them. As my luck would have it – both at the same time. That wasn’t a problem for me (read assistant) or them though so we met at my hotel and headed for the National Mall to shoot. The plan was to use the monuments as the background. Sounded way cool.
We chose the new WW II monument because it had a nice water fountain. We got there around 7pm, good light, not huge crowds. As one model was getting her ticket from the Park Police (wrong way on a One Way street) the other model (Emily) and I set off to set up and shoot along the granite outside wall of the monument. I
used 2 SB800s, at first to fill then to light her. Nikon CLS is so cool. So far so good. I get about a dozen shots off when the other model, Danielle walked up. She dismissed the ticket as part of life in DC and we starting posing her along the same wall Emily had used. About 10 minutes later I hear:
Sir – Sir:
Click to continue reading “Hassled by the Washington, DC Park Rangers for taking photos”
-- Weather When Posted --
- Temperature: 93°F;
- Humidity: 44%;
- Heat Index: 97°F;
- Wind Chill: 93°F;
- Pressure: 30 in.;
Posted in Places, Rant
Also tagged art, background, Backgrounds, Blog, business, Business Meetings, Casting Call, Chap, CLS, Crowds, d300, Dozen Shots, Emily, Faa, face, FDR, Flickr, Fun, girl, girls, Granite, hassled, Head, Heir, Hhs, hobby, Hoot, Hotel, Huge Crowds, Light, lighting, Long Time, Memorial, Memories, model, Modeling, Modelmayhem, Models, Monument, Monuments, National Mall, new, nikon, office, one, Outsider, Park Police, Park Ranger, Park Rangers, Passing The Time, People, Photo, Photo Shoot, Photograph, Photographer, Photographers, Photographs, Photos, Places, Pose, pretty, pro, professional, Professional Photographers, Reply, Rig, Rkd, Sb, Sb8, SB800, Sessions, shoot, shot, Stan, street, Taking Photos, Target, Teenagers, Things, Tree, ttl, Walk, Water Fountain, Wrong Way, WW II, Ww Ii Monument, Youtube
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High-key portrait process
From my Flickr photostream of this image:
Mark Chamberlin says:
“This is a really strong effect. Would you mind divulging what you did to the original image to get it to this point? “
Well Mark, I start with a nice looking model.
Seriously, this photograph was taken almost as framed here. Sometimes when I really like the expression on a wider framed picture I will crop down to the face. this photo of Mona Marie was one in a series of tight shots I took over several minutes, I coached her to look here, there, up and down. I feel this image has the ‘strong effect’ you mention because she is looking pencefully away from the camera.
The original image is show here. The first step I took was to spot heal any blemishes (of which there were very few, Mona Marie has very smooth skin), then I did a general smoothing to accommodate the high-key effect. I try to leave enough detail to the face so the larger delicate features are not destroyed.
With this photograph I did add back a bit of color to her lips, but just color, I liked the formation and shape/size as it was. After several bleaching passes to reach the desired effect, I sharpened the image.
Normally I have to resist the urge to tweak more; here I did not.
-- Weather When Posted --
- Temperature: 84°F;
- Humidity: 54%;
- Heat Index: 86°F;
- Wind Chill: 84°F;
- Pressure: 29.78 in.;
Posted in My Photo; My Comment., People
Also tagged art, Blemishes, Blog, camera, Coach, color, Colors, Delicate Features, Desired Effect, Expression, face, Flickr, Flickr Photostream, frame, High-Key, Image, Images, Lips, Mark Chamberlin, model, Modeling, Models, Mona Marie, one, People, Photo, Photograph, Photographer, Photographers, Photographs, Photos, portrait, Portraits, pro, Rig, Rkd, rkdauph, shot, Smooth, Smooth Skin, Target, Thumb, Tight Shots, Urge
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Strobist “On Location” kit.
This is my on ‘location’ kit. 2xSB-800s, SB-600, PhotoFlex LiteDome Q3 9, a Wescott 32″ umbrella and two or three stands.
I have replaced the SB600 with a SB900 since this article was written.
Flashes controlled with the D300′s Commander mode.

Taken with my ‘location’ kit. In this case, the location was my media room.
-- Weather When Posted --
- Temperature: 36°F;
- Humidity: 85%;
- Heat Index: 36°F;
- Wind Chill: 32°F;
- Pressure: 30.12 in.;
Something soft & sexy, something mean and something in-between
Most every time I work with a new model I get asked the same question: What should I bring to wear?
There is no doubt that clothing, makeup and the ability to ‘strike a pose’ are important to a successful portrait/modeling session. However, the most essential asset a model can bring to the studio or location is the ability to interact with the camera.
My job at a shoot is to make them look as best I am able given my limited skills with lighting and equipment. I cannot, however, do it alone. You have seen that cell phone snapshot that drew you in; you have also seen a professional portrait that, although technically sound, just leaves you feeling that something misfired. A model must have an understanding they are not trying to tease/seduce/influence me as the photographer: They must make the connection with the viewer of the photograph.
They must make the connection with the viewer of the photograph.
My answer to the outfit question: Bring something soft & sexy, something mean and something in-between.
-- Weather When Posted --
- Temperature: 50°F;
- Humidity: 53%;
- Heat Index: 50°F;
- Wind Chill: 48°F;
- Pressure: 30.18 in.;
Posted in My Photo; My Comment., People
Also tagged Ability To ‘Strike A Pose’, Amp, camera, Cell Phone, Clothes, Clothing, equipment, Flickr, Hoot, Interact, Interaction, Job, Jobs, Light, lighting, Lighting Equipment, Limited, Lot, Makeup, model, Modeling, Models, Nap, new, New Model, No Doubt, one, Photo, Photograph, Photographer, Photographers, Photographs, Photos, portrait, Portraits, Pose, pro, professional, Professional Portrait, Rig, Rkd, rkdauph, Sessions, Sexy, shoot, shot, Snapshot, Stan, stand, standing, Strike A Pose, studio, Target, Tease, What Should I Bring To Wear?
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near Lake Grapevine.(Let me add that neither stand was designed nor intended, as far as I know, to be use exactly the way I describe here.) But this is how I found out that the EZ Stand’s main extension tubes are not internally secured.












Ya gotta see this: Her Morning Elegance
I was blown away by the creativity.
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