Light And Shadow | A Photographer's Journey

I always have my speedlights when doing an outdoor portrait session. I know the basics of using natural light with or without reflectors but also know what I want. I don’t always use the speedlights, but I always have them.

When I do use them I try to either use the natural light to compliment the flash or the flash to compliment the natural light.

An example of each:

flash to compliment the natural light

natural light to compliment the flash

-- Weather When Posted --

Temperature: 63°F;
Humidity: 41%;
Heat Index: 63°F;
Wind Chill: 63°F;
Pressure: 29.61 in.;

3493512371 076561ff9d m Strobist ballhead and umbrella test

In Joe McNally‘s CLS video it showed him using a ballhead to align the flashhead along the umbrella stem axis. Made sense that it would distribute the light more evenly; so I bought the rig. Here’s the test results – you decide.

As pointed out in the note above, I forgot the diffuser.

Single SB800 set to TTL into Wescott 42″ shoot through umbrella.

The ballhead is the Manfrotto Lite Tite Swivel+Umbrella Adapter 26
The coldshoe is the Stroboframe Shoe-type Flash Mount Cat. No 300-SHO

I consider this as a ‘nice to know’ experiment only. With the inherent spill associated with shoot through umbrellas and with the difusser on the speedlight the coverage appears to be good. One additional advantage I found with the ballhead set is the ability to quickly rotate the flash body to align the IR sensor to face the camera.

I’ll know better after I field test it.

Sideview

-- Weather When Posted --

Temperature: 31°F;
Humidity: 75%;
Heat Index: 30°F;
Wind Chill: 25°F;
Pressure: 30.48 in.;

Skye

Skye was a both sweetheart and a challenge. The right side her had been disfigured; she was not in the least embarrassed or intimidated by it and I loved that about her. We worked with light and shadow during the entire session to our advantage.

The temptation to mask the injuries in post processing was quickly overcome when I looked into her eyes.

I was recently asked the question in the title, there is only one answer.

Get one, use it.

Simple really, as a photographer you paint with revealed light and shadow, that’s all. Why would you hesitant to utilize a tool to designed to report the variances you cannot see in a way you can use?

Do I shoot without one, yup, sometimes. Do I rely on the camera’s metering, yup, alot sometimes. But I never leave home without a light meter in my bag.

-- Weather When Posted --

Temperature: 91°F;
Humidity: 42%;
Heat Index: 93°F;
Wind Chill: 91°F;
Pressure: 29.82 in.;

Nikon D300 & SB-800 Speedlight Flash Diffusion Test

Originally uploaded by rkdauph

On camera flash photography has always challenged me. I learned photography, in West Germany during the early ‘70s, using natural light only, black and white film and developed my own prints. My first experience, in the early ‘80s, with a flash gun was a reunion of flight school classmates and our families. We paraded the kids through the living room, onesies, twosies, you know the drill, and I took whole family photos too. The garish, over exposed pictures with that damn hard edged shadow (like the top center picture) was embarrassing when the color prints arrived. Who needs a flash? Not a REAL photographer anyway; so, back to natural light for more than 2 decades.

Click to continue reading “Nikon D300 & SB-800 Speedlight Flash Diffusion Test”

-- Weather When Posted --

Temperature: 51°F;
Humidity: 49%;
Heat Index: 51°F;
Wind Chill: 49°F;
Pressure: 30.33 in.;

Outdoor Speedlight use in portraiture

Strobist ballhead and umbrella test

Skye

Should I use a light meter with a digital camera?

Nikon D300 & SB-800 Speedlight Flash Diffusion Test

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